It’s appropriate that Monaco’s graphics and gameplay hearken back to a late ’80s/early ’90s style of gaming, since it’s been about that long that gamers have been wishing for a heist game that doesn’t focus on the heist gone wrong and subsequent shootout, but rather the perfectly executed job.

Between each level is a brief stop back at base camp, which is a fairly empty area that honestly feels like it’s missing content. The shops let you spend the green gems found throughout the levels on a random piece of equipment or accessory, and…that’s it. There’s a map on a table to choose the next level or you can just hit the Select button to do the same thing. Sometimes there’s a random chest somewhere in the scenery if you wander about. It’s a good amount of space, nicely decorated, with little in it.

The other type of item is accessory and each one grants a different skill. The feather, for example, does a quick roll that stuns an enemy, while the soul cube lets out a powerful arcane jet of energy blasting through everything in its path. A bundle of wheat summons an attack-llama, there are healing pendants, berzerk mushrooms, magic shields and plenty more to turn up. These let you create a personalized loadout of three skills, defining character class by what you choose to carry. The more powerful accessories are powered by souls, which are released and automatically gathered as you take out monsters, but it doesn’t take many to fill the bar. The skills are there to be used rather than hoarded.

The episode doesn’t stop there, because once you’ve returned from either of those two paths, you head off as a group with whichever other character you picked up in the first episode (Lukas for me) to find the last member of the Order of the Stone, Soren the Architect. This path also follows a relatively fast-paced action sequence, but falls a little short with its sub-par cliffhanger. It’s only episode two, but the weird events surrounding the Order of the Stone and exactly what they’re going to do to stop this crazy Wither Storm seems as though it will never be resolved.

Now, the game still provides new weapons and outfits frequently, they are just not presented as the main driving force pushing players forward (which does hurt the campaign’s replayability to an extent). Victor Vran can be completed over a few hours, and while that might be short for this type of release, it does at least make great use of every second. Victor Vran might just have the best combat out of any action

The age of system mascots and Triple A exclusives may be a fading memory, but it’s really no matter, because the one we are about to enter where innovative new ideas and bold risks are rewarded, encouraged, and prized above all may just be the most exciting time ever to be a gamer. All the hype on which system you should buy may be focused on what a system costs, or what it can and can’t do in its multimedia capabilities, but trust me when I say that in the end, you’ll be keeping an eye on who’s got what indie titles all to themselves when deciding which console is right for you.

VR Control mode has a number of options available for it, but the default is that turning is done by a series of instant changes, like teleporting in place but facing a different angle. Turn slowly and the jumps are tiny, turn fast and you get a much larger angle of change. Additionally, when you look while walking your “body” automatically changes direction to face the same way without the need to manually adjust it. The trick is to eliminate as much as possible anything that might cause dizziness, and although these changes wouldn’t work on a game like Doom they’re fine for something slower-paced like Minecraft. It may be weird and a little jarring but also surprisingly effective.

The problem is that VR is such an incredibly tempting target that it’s nearly impossible to not experiment with applying it to the FPS experience. (For the sake of argument, lets call any first-person game you move around in an FPS experience, even if no shooting is involved.) The incredible presence is still wonderful even after repeated exposure, and who wouldn’t want to feel the full sense of scale of the world they’re gaming inside? VR Minecraft? After the hundreds of hours I’ve put into that game it sounds like the best idea ever, except for the small issue outlined in the previous paragraph. On the plus side, Microsoft and Mojang haven’t ignored the problem, and while one viewing mode is self-defeating and another a guaranteed ticket to quick nausea, the recommended VR controls actually work. It’s awkward and jerky, but actually allows the game to be played with no discomfort.

Minecraft Beginner Guide Dungeons is a capable all-ages dungeon crawl that, while doesn’t use its license to anything like its full potential (see Dragon Quest Builders 2 for how to do it right), is still good fun once it gets moving. The variety of enemies keeps you on your toes, and the various skills and weapons make for plenty of experimentation in figuring out the best way to take them on. Each level has at least a couple of secrets to chase after, ranging from obvious to head-scratchingly obscure, and finding everything while collecting all the gear will keep players busy for hours whether fighting single- or multiplayer. Just be aware that if you’ve got any experience with the genre, the difficulty selections on the levels are there for a reason. The younger crowd deserves a good intro to the world of dungeon crawling and Minecraft Dungeons provides that nicely.